PRECIOUS KIT AND ACE SIGN ISN’T ART

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by Geoff Olson

On a recent night ambling with friends through Gastown I caught sight of a glowing message on the side of a building on Water Street. The large neon letters read, “TIME IS PRECIOUS.”

John James Wilson, son of Lululemon founder Chip Wilson, explained the origin of the message to the Gastown Gazette back in January: “My family owns the building and we wanted to use the visual space as an area to gift the city a piece of art. Shannon Wilson [Chip Wilson’s wife] and myself recently started Kit and Ace and our product is designed with time in mind.”

No denying that. “Time is precious” is all over the promotional material for Kit and Ace, a ritzy fashion store targeting consumers with “high-contact lifestyles.” The outlet  on Water Street is a short distance from the neon-decorated building owned by the Wilsons.

On November 2014, a Kit and Ace outlet opened on Whtye Avenue in Edmonton, with “Time is Precious” emblazoned above the store’s entrance. “This mother’s day, (quality) time is precious,” announces a post from last May on the Kit and Ace Facebook page. “We believe time is precious and the less time you spend taking care of the clothes, the more time you have to go do things that matter more to you,” JJ Wilson is quoted on stylecalling.com.

Given the pedigree of this expression in Kit and Ace promotional material, the 8’ by 17’ on Water Street seems more like an inert gas advertisement for technical cashmere than a piece of art. But the Wilsons are free to pitch anything they want to the city, for the facade of any building they own. The problem lies in Vancouver’s approval process of public art.

According to City of Vancouver’s policy documents, “Public art in Vancouver should identify, explore and articulate the evolving nature of the public realm in the constantly changing city.” It should also “enrich the quality, character and experience of the public realm and public infrastructure that are built by the public and private sector.”
Perhaps most importantly, it should “be challenging, risk-taking, creative and innovative” and “reflect the image, character and meaning of the city as understood by its diverse communities.”

Go take a look yourself, and decide if the neon artwork on Water Street meets any of those criteria.

“The application to install a neon artwork application “Time is Precious”….“does not meet the sign criteria, it cannot be processed as a sign application,” according to minutes by the Gastown Historic Area Planning Committee from September 17, 2014. A  motion that the committee “generally supports the proposed artwork installation at 21 Water Street as an art form,” with some structural modifications, was carried at the meeting unanimously.

Confused, I contacted the Public Art Committee for some clarification. Didn’t this gift to the city, determined to be art, go before them for approval?
“To confirm: this project did not come to Public Art for review, it is not a formal gift to the City or it would have gone through the Public Art Committee as a donation,” responded Jason Watson of the City’s communication department in an email.

So that makes “Time is Precious” an informal gift to the city that was approved in general as art by the Heritage Committee, but bypassed the Public Art Committee because it’s not a donation. It’s not even a sign. I think I’d have a easier time wrapping my head around the Higgs Boson particle. In any case, the proposal received a development permit on October 17, 2014.

This all might seem like a tempest in a sign shop, considering the association of art and branding dates back further than Andy Warhol’s sixties-era, silkscreened Campbell’s soup cans. And in a city with an out-of-control real estate market and the poorest postal code in Canada, the ambiguous nature of a neon message in Gastown is likely to remain way down the list of civic controversies.

Yet this matter connects to the increasing penetration of the commons by the commercial, the adulteration of the urban environment with marketing memes, and the compromised integrity of city historic areas. Perhaps over time a number of letters will fizzle out out on “TIME IS PRECIOUS,” highlighting an alternate view of this piece of art: SPECIOUS.

The Vancouver Courier, July 30

3 thoughts on “PRECIOUS KIT AND ACE SIGN ISN’T ART

  1. Interesting idea, Geoff… Mercantilation is taking over us. We are all becoming the entrempenuers of the west.
    We are paying for stuff with our brains. One big Pyramid scheme. I get to use XXX product if I agree to sit thru a talk on timeshares, or in this case, for a few seconds…

    But how can we argue with such spiritual ideas as “time is precious”?
    Or the other spiritual ideas put forth by some paragons of society as Granville Island Brewings “Its good to be here.”

    The poor unfortunates need us to give them our money. Maybe it’d be cheaper for our brains and the cost to our communities and cultures if we just gave them money. Rather than go thru the falderol of buying things we don’t need, thru the convoluted route of having our brains bedazzled with advertising fluff and click bait photos…

    I’d love to see some studies on the effects of all that on our culture and our brains.

    I read the amazon pages of this book, which started talking about some similar ideas.
    eg. advertising on the plate you put your metals in at the airport. And having quiet, non-advertised space inside the executive lounge at the airport.

  2. Hi Chris…interesting idea, paying the companies directly and eliminate the ritualistic act of buying…might even explode the concept of market exchange! Something similar is already happening with companies buying and selling our private information right under our noses.
    Have a review copy of that book you highlighted…mean to get to it soon. The author’s previous book, Shop Class as Soulcraft, is a good read.
    As for brains and branding, wrote something on this a few years back. Maybe I’ll post it here it if it isn’t too dated.

    http://commonground.ca/2010/03/brands-on-the-brain/

    Geoff

  3. I guess we’re just switching power groups. Originally religious and political leaders in the old days, then the rise of the Merchant class in the past few hundred years. The powerful in any groups have always got the most resources and breeding opportunities, I guess…

    Maybe advertisers are just playing on the same parts of our brains that cause the corporate leaders to want to do that to us in the first place? IE. we’re addicted to the neurochemicals the brain rewards us with to ensure we get what the body needs, even if it is to excess.

    Ha! One giant chemical interaction… Lets see – put one group of chemicals in this container (body/geolocation) and see if it can affect another group of chemicals in another container!

    Nice to have people like yourself lay it all out for us to see, though, Geoff.

    I’m super curious how Courier readers respond to your articles. Its extremely rare to see your sort of “counterculture” articles in a paper as mainstream as the Courier, as opposed to Common Ground or East Van papers.

    A super testament to your writing skill and ability to avoid ranting or polemics, eh? 🙂

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